One of my favorite shows of this year is currently at the Fine Art Center, downtown Colorado Springs. Boulder based artist Terry Maker‘s awe-inspiring body of work “RECKONING” is on display now through June 3rd. Maker’s show is full of intentionality, packed with meaning and metaphor and each of the 50 pieces will reward careful inspection yielding surprise, insight and emotion.
I emailed Terry, and she was gracious enough to answer a few questions which I’m sharing with you here.“Ship in a Bottle,”2011, resin, rope and hand made bottle
12 x 20 x 34 inches. Photographed by Chris Rogers
Jeremy: Where do theme and process overlap for you?
Terry: I generally have a theme or direction that I am taking and am on the look out for materials that will support this path. Of course, I am sensitive to the the happenstance of the upexpected material discovery that may take me on a totally new thematic course or may be a related off-shoot of that direction.
Jeremy: How/when did you start using resin and casting techniques? Is there a particular significance to the resin?
Terry: I’ve been interested in casting methods and resin for over 10 years now…the resin in particular, has a very appealing, seductive surface and color – this plays into the theme of want and desire that has interested me for some time now.
Jeremy: I’ve read that you keep poems, and excerpts of literature around your studio as inspiration. How else to you stay inspired in art-making?
Terry: My art making is integrated into my entire life and is not a separate activity. This co-mingling makes me aware of every step of the day and how each step can be necessary and integral to this calling.
Jeremy: I immediately noticed an archeological element in many of your works (and later read Tracy Mobley-Martinez’s article where you mention an “intellectual archeology” ) Where does that come from? have you studied archeology, or are you just inspired by it?
Terry: My work is all about the layers – both literal and conceptual. This embedding, unearthing, digging, scraping has been a necessary part of the message. I am very interested in what lies behind and beyond the surface of the piece both aethetically and metaphorically.
Jeremy: Who are people that you look up to?
Jeremy: Do you have any advice for young artists? Things you’ve learned to do (or not do) on your journey?
Terry: Go out – travel to the great art centers and see art, lots of it. Try to connect with artists that inspire you and if
possible go to their talks and ask questions…like you’ve asked of me – thank you!
Jeremy: Thanks for making time for me, I really appreciate it.“The Garden of Nineveh-Bitter,” 2008, resin, plastic, aluminum foil, human bone replicas, bubble wrap, plastic maze puzzles, and shredded money, audio recordings
16 x 20 x 2 Ω feet. Photographed by Chris Rogers “Jaw Breaker Series, 1, 2 and 4,” 2008-2009, resin and jawbreaker candy on panel
40 x 40 x 2 inches. Photographed by Chris Rogers “Reptilius Consumerus Devourus,” 2010, Shredded US Currency, various bank documents, and glue
100 feet x varying sized bread slices. Photographed by Chris Rogers
I highly recommend this show. And if you’re strapped for cash, the FAC has a free admission day the third tuesday of each month – the next one is March 20th.header image: “S¸ss,” 2011, resin, jaw breaker candy
30 x 19 1/2 x 8 1/2 inches. Photographed by Chris Rogers